They Funded Her Dream, Ran It Into the Ground, and Escorted Her Out the Door.

They Funded Her Dream, Ran It Into the Ground, and Escorted Her Out the Door.
The lessons run throughout

Then Invited Her Back.

In February 2020, Ty Haney typed a goodbye message to her company on Slack and hit send. She was thirty-one years old. She had built Outdoor Voices from a sketch on a Parsons drafting table into a $110 million activewear brand with stores across the country, a devoted customer base, magazine covers, and a cultural moment that the industry would spend the next five years trying to understand and replicate. She had raised over $64 million in venture capital. She had turned the radical, quietly subversive idea that exercise should be joyful rather than punishing into a brand identity so strong that people organized their social lives around it.

When she pressed send, she owned 10 percent of the company she had created.

The board replaced her with Cliff Moskowitz, the former president of a fashion-oriented private equity firm. The thinking was that Outdoor Voices needed professionalization, discipline, adult supervision. What it got instead was a long, quiet deterioration. The stores that had buzzed with community events and running clubs and genuine enthusiasm began to feel like ordinary athletic apparel stores. In the activewear market, that is a death sentence. Customers complained that the products had lost something. The quality. The point of view. The feeling that someone who understood them had designed these things specifically for a life they were trying to live. Revenue slid. Valuations collapsed. By 2024, the company was closing every physical store it had and selling itself to a private equity firm to avoid bankruptcy.

And then Consortium Brand Partners, the firm that bought it, did something that told you more about the value of a founder than any business school case study ever could.

They called Ty Haney and asked her to come back.

Boulder, Colorado, 2013

She grew up in Boulder, which is a specific kind of American place. A college town tucked against the Rockies that takes physical activity with a seriousness that sometimes shades into religion, where the bike lanes are crowded in January and the farmers markets run eleven months a year and the local population seems to maintain a permanent, ambient state of going for a hike. Haney grew up around people for whom movement was simply part of existence, with no audience required and no achievement attached to it. You ran because it felt good. You went outside because the outside was right there.

She left Boulder for New York City to study at Parsons School of Design. The Parsons approach to design emphasizes thinking about objects and brands as systems, which means asking not just what a thing looks like but what it does, what it means, and how it behaves in the world. Haney graduated with a degree in Design and Management in 2011, which is the kind of training that produces people who think about brands structurally rather than aesthetically.

She started Outdoor Voices in 2013, when she was twenty-three, with a co-founder named Matt McIntyre. The initial line was ten pieces, focused on simplicity and functional mixing. Tops and bottoms that could be layered and combined, sold in what OV called “kits.” The color palette was distinctive without being aggressive. The clothes looked like they had been designed by someone who actually exercised in them.

They called it “Doing Things.”

But the product was almost secondary to the idea. The idea was that fitness culture, as it had been constructed by Nike and Lululemon and a generation of inspirational messaging, was fundamentally exhausting. It demanded performance and aspiration and graded you on your output. “Just Do It” is, if you think about it, a form of pressure. Outdoor Voices proposed something different: movement as daily life, not daily achievement. They called it “Doing Things.” The lowercase, present-progressive, relentlessly non-dramatic energy of that phrase was the entire brand in two words.

It resonated in a way that surprised everyone, including probably Haney.

The Moment the Brand Caught

In early 2014, J.Crew picked up the Outdoor Voices line for its stores as part of a “Brands We Love” program, which at the time was the closest thing the American retail world had to a coveted stamp of approval. J.Crew was, in 2014, still operating near the height of its cultural influence, which is to say the Michelle Obama years, the Jenna Lyons era, the moment before prices went up and quality went sideways. Getting selected by J.Crew meant that someone with serious taste had looked at what you were doing and decided it was worth putting in front of their customers.

The first Outdoor Voices store opened in Austin, Texas in October of that year. Haney had decided to move the company to Austin, which said something about what she understood her brand to be, since Austin was not a coastal fashion capital or a performance-sports hub but a city just beginning its own transformation from scruffy music town to legitimate technology hub, with the outdoor culture and the emerging professional class that would become Outdoor Voices’ natural customer already in place.

By 2015, a pop-up in Manhattan. By 2016, a permanent New York presence. By 2018, the company had raised approximately $57 million in venture capital from a roster that included General Catalyst, Forerunner Ventures, GV (Google’s venture arm), and Collaborative Fund; backers whose investment choices, in aggregate, functioned as a kind of cultural endorsement. Gwyneth Paltrow was an investor. The brand was on magazine covers. The valuation hit $110 million.

Backers whose investment choices, in aggregate, functioned as a kind of cultural endorsement. Gwyneth Paltrow was an investor. The brand was on magazine covers.

At the same time, Outdoor Voices had built something that most brands spend enormous sums of money trying to manufacture and almost always fail at, which is a genuine community of people who showed up not because the product was excellent, though the product was, but because the brand had articulated something about how they wanted to live. The group runs, the hikes, the yoga sessions on Saturday mornings that Outdoor Voices organized under the banner of “Doing Things” were not brand activations in any conventional marketing sense. They were what Haney actually believed the brand was for, a gathering of people who had found in “Doing Things” a philosophy they recognized as their own, and showing up to the run was simply the physical expression of agreeing with it.

This is worth pausing on, because it matters enormously to everything that happens next.

The value of Outdoor Voices was not stored in its inventory. It was not in its leases or its supply chain or its marketing budget. It lived in the relationship between Haney’s aesthetic instincts and the community she had built around them. The brand was legible to its customers because Haney was legible to its customers, and without that the valuation was a fiction waiting to be tested.

Enter the Merchant Prince

In the summer of 2017, Outdoor Voices announced that Millard “Mickey” Drexler would become chairman of the board, following a $9 million investment from his firm, Drexler Ventures. Haney called him “an expert at building teams and a fantastic leader.” Drexler, for his part, said he’d been impressed with Tyler and Outdoor Voices since day one. He said the community she’d built was incredible.

Within three years, she would be typing her goodbye on Slack.

To understand what happened, you have to understand who Mickey Drexler is and what he was built to see. He is, by any reasonable measure, one of the greatest retail executives in American history. He joined Gap in 1983, when it was a middling multi-brand retailer, and transformed it across fifteen years into a cultural juggernaut built on khakis, basics, and the casual Friday uniform that clothed an entire generation of office workers. He invented Old Navy while he was at Gap, which became the first American apparel brand to cross a billion dollars in sales. He went to J.Crew in 2003 after being pushed out at Gap, recruited the designer Jenna Lyons, and turned what had been a preppy catalog company into an international fashion phenomenon. Steve Jobs recruited Drexler to Apple’s board in part for his retail expertise as Apple prepared to launch its now-iconic stores. His instincts about what people wanted to wear, and where and how they wanted to buy it, were genuinely extraordinary, though they were calibrated for a specific era of retail, in specific market conditions, on a specific commercial playing field.

Mickey Drexler is and what he was built to see. He is, by any reasonable measure, one of the greatest retail executives in American history.

That playing field had changed before Drexler arrived at Outdoor Voices, and he has said so himself: at a 2017 New York Times DealBook conference he acknowledged that J.Crew had struggled because technology moved faster than his approach, that he hadn’t realized how quickly the shift to e-commerce would reshape everything, and that things had been, in his words, “miserable in retail.” He was being honest about having seen the future coming and still not fully adapting to it, which makes the question of what he thought he was bringing to Outdoor Voices more interesting, not less.

He brought an eye for retail mechanics that was genuinely formidable, the kind of pattern recognition that lets you walk into a store and immediately know what is wrong. He saw the financial problems clearly enough: burn rate, store economics, organizational friction, the widening gap between revenue and spending. He told a Fast Company interviewer that he believed Outdoor Voices “would be a Lululemon competitor” and pushed for a management change, because in his framework the right play was obvious: professionalize the operation, install proven retail management, fix the unit economics, and scale a proven model.

But here is where the question sharpens. Lululemon is a performance brand whose customer is actively optimizing, a brand that sells aspiration in the old athletic-apparel sense, the idea that wearing the right thing and doing the right workout makes you a certain kind of person, and that positioning has worked extraordinarily well for Lululemon, which is one of the most successful retail companies of the past twenty years. Outdoor Voices was deliberately built on the explicit rejection of precisely what Lululemon represented. The conviction that the “Doing Things” customer wasn’t interested in being the best but simply going outside on a Tuesday, in a lifestyle that was comfortable rather than aspirational, inclusive rather than competitive, joyful rather than disciplined. These two brands were not occupying the same category from different angles. They were expressing fundamentally different ideas about what physical activity is for.

His framework predated the thing he was looking at. The conditions that had made Outdoor Voices possible, social media, the creator economy, the millennial demand for brands that stood for something beyond their SKUs, had all emerged after the peak of his most successful period. Drexler arrived with answers already formed and went looking for a problem they could solve. J.Crew, it should be noted, went through bankruptcy after his tenure there too.

How You Lose a Company You Built

The management transition at Outdoor Voices did not happen overnight. It accumulated, the way these things always do, through a series of decisions that each felt reasonable in isolation and catastrophic in aggregate.

Ty Haney needed capital to turn a vision into a physical company, which meant inventory and manufacturing and retail leases and a team, and so she raised seed funding, then a Series A, then more. Each round was celebrated as validation. In legal terms, each was also a transaction in which capital was exchanged for a piece of the company and less obviously, a piece of the authority to make decisions about it.

Each round also changed the board, as early investors took seats and later investors took seats. By the time Drexler arrived with his $9 million and his chairmanship the board that would ultimately decide Haney’s fate was populated primarily by people whose professional obligation was to protect their capital rather than to steward a creative vision or defend a brand identity. Asking the purpose of Outdoor Voices at its deepest level likely never entered their minds. They were investors making investment decisions, which is a role, not a character flaw, but a role with interests that diverge from a founder’s at precisely the wrong moment.

An anonymous letter sent to the board blamed Haney for a string of executive departures, calling her “spoiled” and “mercurial,” and the New York Times published a detailed account of organizational friction, delayed store openings, and the tension between Haney and Drexler.

An anonymous letter sent to the board blamed Haney for a string of executive departures, calling her “spoiled” and “mercurial,” and the New York Times published a detailed account of organizational friction, delayed store openings, and the tension between Haney and Drexler. Whether any individual allegation was fair or accurate matters less than the structural reality, which is that Haney did not have the votes. She had already diluted past the threshold where her ownership position gave her no voting control of her own company, and the board removed her.

She was thirty-one. She had 10 percent of what she had built. And now she didn’t even have what she had built.

To be precise about what actually happened: the board’s concerns about operational performance were not invented. Executive departures were real. The burn rate was real. A twenty-something running a $90 million company for the first time, in one of the most competitive consumer markets in the country, made the kinds of decisions that first-time founders make. The operational friction was genuine. None of that changes what came next, but it matters for the argument that follows, because this story is not about a visionary wronged by suits. It is about a founder who was brilliant about her brand and almost entirely uninformed about her own cap table.

The mistake was not taking capital. Capital built real things. The stores were real. The community was real. The $90 million in annual revenue was real. The mistake was taking capital without understanding, as most first-time founders do not understand until it is too late, that each funding round is not just a financial transaction. It is a governance transaction. It changes who has the power to make decisions about your company. Once you dilute past the threshold that gives you voting control of your own board, you are no longer the final authority on your own vision. You are a very important employee working for a board of investors who have their own framework for what success looks like.

She Was Not the First, She Won’t Be the Last

Most of us know the broad shape of what happened to Steve Jobs at Apple: he co-founded the company, lost a board vote, resigned rather than accept a ceremonial chairmanship, and spent the next twelve years watching Apple chase Microsoft’s customers while cycling through three CEOs. When he returned through the NeXT acquisition in 1997, he encoded Apple’s DNA into its core so thoroughly that “Think Different” functioned less as an advertising campaign than as a constitutional declaration. He created Apple University so no future executive team could claim ignorance of what Apple stood for. Jobs understood something in 1997 that he had not fully understood when he originally left…a founder’s vision left unencoded dies with the founder’s departure.

Saverin contributed $15,000 in operating capital to the original Facebook, held roughly 30 percent of the company, and by 2005 had been reduced to below 10 percent through a sequence of corporate maneuvers that internal communications would later reveal were planned with considerable deliberateness, including a message from Zuckerberg asking whether the dilution could be executed “without making it painfully apparent” to Saverin.

Then there is Eduardo Saverin, whose story is less about losing a board vote than about what deliberate dilution looks like when one co-founder understands the game and the other is still learning the rules. Saverin contributed $15,000 in operating capital to the original Facebook, held roughly 30 percent of the company, and by 2005 had been reduced to below 10 percent through a sequence of corporate maneuvers that internal communications would later reveal were planned with considerable deliberateness, including a message from Zuckerberg asking whether the dilution could be executed “without making it painfully apparent” to Saverin. The case settled out of court in 2009; Saverin’s co-founder title was restored and his stake was fixed at roughly 4 to 5 percent, which made him a billionaire when Facebook went public in 2012 and represented a fraction of what he had originally held. Zuckerberg, who had watched the early governance dynamics closely enough to understand exactly what they revealed, built a dual-class share structure into Facebook before the IPO that gave his Class B shares ten votes against one vote for the public Class A shares. He owns approximately 13 percent of Meta’s economic value and controls approximately 58 percent of its voting power, which is why the congressional hearings and the regulatory proceedings and the years of sustained public criticism have not threatened his position in any meaningful way. Saverin understood equity as a financial instrument. Zuckerberg understood it as a governance instrument. The distance between those two understandings, measured in voting power rather than dollars, is the entire lesson of this piece compressed into a single relationship.

What the Return Tells You

When Outdoor Voices relaunched with Haney as founder-partner and co-owner, the brand did not pick up where it had left off under new management but where it had left off under her. With the Instagram scrubbed clean, the creative team rebuilt around the people who had made the original brand. The calendar filled back up with events and pop-ups and community runs, and the first product—a “Doing Things” sweatshirt that anyone who had been paying attention recognized as not a relaunch but a restoration. The brand returning to what resonated, once the people who had misread it were no longer in charge.

This is the sequence worth sitting with. A company removed its founder, installed professional management, tried to optimize toward a conventional retail model, watched its valuation collapse from $110 million to $40 million, closed every physical store, sold itself in a distressed transaction to avoid bankruptcy, and then, as the first meaningful act of its new ownership, contacted the founder it had removed and asked her to come back. The board that removed Haney believed, or needed to believe, that the brand’s value could be separated from the person who had built it. That you could professionalize the operations without destroying the culture, fix the unit economics without losing what made the customers loyal, install a new CEO without losing the thing that lived inside the founder’s instincts and couldn’t be written into an org chart. They were wrong in a way that cost everyone involved four years and tens of millions of dollars to prove.

It was the company’s entire reason for existing, the encoded belief that made the customers loyal and the community real and the brand worth anything beyond its inventory.

Drexler likely never asked what Outdoor Voices’ DNA was. He arrived with a framework built at Gap and J.Crew, saw a brand with financial problems, and applied the solutions he already knew. He wanted to make it a Lululemon competitor, which is roughly equivalent to acquiring a jazz club and announcing plans to turn it into a steakhouse because steakhouses are more profitable. The “Doing Things” philosophy was not a marketing slogan that could be swapped out when the strategy changed. It was the company’s entire reason for existing, the encoded belief that made the customers loyal and the community real and the brand worth anything beyond its inventory. Strip it out and what remains is yoga pants in a warehouse, which is more or less what Outdoor Voices became under new management. And more or less what the bankruptcy filing confirmed.

Most founders miss this step entirely, and it is existential for any company with ambitions beyond the founder’s own tenure. You can build something extraordinary, raise the capital, grow the revenue, open the stores, hire the teams, earn the magazine covers, and then watch it all revert to “unremarkable” the moment the important instincts leave the company. It’s not because the successor is incompetent but because the founder never made the instincts structural or encoded the DNA into the company’s culture. The organization should be built to outlast you.

Don’t Give It Away

The startup world has a remarkable capacity for romanticizing things that are simply accounting. Taking a term sheet becomes a partnership. Dilution becomes growth. Losing control of your board becomes “bringing in experienced operators.” The language softens what is actually happening, which is that every time you exchange equity for capital you are selling a piece of your ability to make decisions about your own creation, and once you’ve sold enough of those pieces the decisions are no longer yours to make.

The mechanics are not complicated, but they are easy to ignore when someone is writing you a fat check and calling it validation. Most founders know their ownership percentage at any given moment. Far fewer know their voting position, which is a different number and a more important one. Your ownership percentage determines what you earn when the company exits, while your voting position determines whether you get to make the decisions that affect whether the company is worth exiting in the first place. A dual-class share structure, negotiated at the seed round before you have leverage but while you still have the ability to choose investors, can preserve your voting control long after your economic ownership has diluted to a minority position. Protective provisions written into your earliest investor agreements can require founder consent before the board replaces you. These tools exist. They are not exotic. The founders who still run their companies decades later, the Zuckerbergs and the Spiegels and the Brins and Pages of the world, used them before they needed them, which is the only time they are available.

Capital built real things at Outdoor Voices: the stores, the community, the careers, the culture, and $90 million in annual revenue that did not exist before Haney attracted the money to make it exist. The capital was not the mistake. The mistake was treating each funding round as a financial transaction rather than a governance transaction. Not understanding that every check cashed and every board seat granted was incrementally transferring the authority to make decisions about the company. Governance moved from the person who understood the most about the company and its customers, to the people who had their own framework in mind.

Ty Haney built something that her industry spent five years trying to replicate and couldn’t, lost it to people who didn’t understand what it was, and came back to rebuild it once the cost of that misunderstanding had been fully paid. The board thought they were fixing a business. They were dismantling the only thing that made it worth existing. Her story isn’t a cautionary tale; it’s a proof of concept.

At some point during the process that ended her tenure, Haney reportedly asked the question that every founder should ask on the day they sign their first term sheet, "what do you mean, it’s not my company?" The people in that room already knew the answer. They had known it since the first check cleared. That is the information asymmetry at the center of every founder story that ends badly, and it is entirely, fixably, inexcusably preventable. The venture capital industry does not explain the governance mechanics of dilution because it is not in their interest to do so, which means the burden falls on you. Learn what you’re signing before you sign it. Understand the difference between owning equity and controlling votes. If people across the table from you are uncomfortable with that conversation, take the meeting somewhere else.

The term sheet is not a partnership agreement. It is a map of who gets to make decisions when the partnership ends. Read the map.


Paul Salzman has spent his career at in automotive, technology, and consumer behavior, which is a polite way of saying he has seen every bad idea tried twice and funded a third time. He writes editorial commentary on an industry that confuses installing software with having a strategy, and often startup falsehoods. He is the founder of Wheelio, which sits at the intersection of search and connection; obliterating the friction between buyer and seller.

Originally published on LinkedIn

Paul Salzman

Paul Salzman

I'm just this guy, y'know?
Woodinville, WA